雜訊 Noise: Unwanted Sound 鄭惠真 JUNG Hyejin｜荷蘭 Netherlands、南韓 South Korea｜2024｜DCP｜Colour｜20 min 耳鳴的感受是什麼？又與噪音有何分野？自從出現耳鳴徵兆，導演被宣告耳朵逐漸變成了機器，並遇見另一位身體也出現雜音的泰籍移工。本片從耳鳴經驗出發，比對自身與他人，乃至祖父一代及年輕世代的勞動經驗與工殤。從家屋內部向外輻射出城市的更迭，亦指認聲音與噪音的界定尺規，而那些來自破損身體發出的內在聲響，正譜出更為迫切的當代課題。 0.2 seconds after a sound reaches the cochlea, the brain assigns distance, direction and speed. With constant tinnitus, the director compares inner sounds with Somchai, a construction worker and fellow patient. Blending medical inquiry, soundscape and poetic reflection, she reveals how thin the line is between sound and noise — and whose voices are dismissed as such. 2024 IDFA 阿姆斯特丹國際紀錄片影展 2025 DMZ Docs 南韓DMZ國際紀錄片影展 怪騎物語 CycleMahesh 蘇赫爾・巴納吉 Suhel BANERJEE｜印度 India｜2024｜DCP｜Colour｜61 min 疫情擴散，百工中斷，坐困的打工青年踩上踏板，只為返回家鄉彼岸。車輪流轉，長路漫漫，千里單騎旅途艱辛困難，經歷爆胎大火也才不過第一晚。運鏡反彈，麥克風穿，眾人民族歌曲唱到一半，才發現這竟是搬演橋段。新聞快閃，多角亂竄，紀實隨拍與虛構舞台不斷變換，層疊個人記憶再現自我觀看，生命在創作迴圈中無限開展。 Four years after cycling two thousand kilometres home during the first Covid lockdown, construction worker Mahesh becomes the subject of a film about his journey. Yet as shooting ends and he returns to the labyrinth of his job site, a quieter portrait emerges. Blending fact and fiction, this film-within-a-film reflects on migrant labour and the ethics of looking. 2024 IDFA 阿姆斯特丹國際紀錄片影展最佳首部紀錄長片 2025 Yamagata IDFF 山形國際紀錄片影展 ❐ ——— ❏ 𝟐 𝟎 𝟐 𝟔 𝐓 𝐈 𝐃 𝐅 ❏ ——— ❐ ➜ 5.01-5.10  國家影視聽中心｜台北獅子林新光影城｜光點華山電影館｜臺灣當代文化實驗場C-LAB ➜TIDF官網：​http://www.tidf.org.tw/ ➜TIDF臉書：https://www.facebook.com/TIDF.info ➜TIDF IG：https://www.instagram.com/tidf.tw/