我們用一生的時間，學習如何成為彼此的家人。 在臺灣傳統喪葬文化中，金山、銀山與黑山（孝山），以紙紮工藝堆疊出對逝者的祝福與思念。金銀象徵富足，黑山則承載著子孫對先人的孝心與追念。一座座紙紮的山，寄託著生者對逝者的情感，也映照出家庭與世代之間難以割捨的牽繫。 《純肉與黑山》從臺灣民間喪葬文化中的紙紮黑山出發，將傳統孝道與當代家庭關係帶入身體創作，探尋親情在生命不同階段的模樣。 六位演出者，讓不同世代的身體在舞台上相遇。作品融合陰陽身體質地，在稚嫩與成熟、柔軟與沉重、依附與離別之間，呈現生命的流轉，以及家人之間不斷變化的情感關係。 當我們逐漸長大，父母也在歲月中慢慢老去。那些未曾說出口的愛、無法償還的牽掛，以及對陪伴與告別的想像，都在身體的碰觸與流動之間，化為一場關於親情的凝視。 一座黑山，承載著世代的思念；六個身體，走過生命的來去。 《純肉與黑山》以身體重新凝視孝道的意義，在陰陽交會之間，尋找愛與家庭的模樣。 We spend a lifetime learning how to be a family to one another. In Taiwan's traditional funeral culture, gold, silver and black mountains (Filial Piety Mountains) are crafted from paper as expressions of blessings and remembrance for the departed. While gold and silver symbolise prosperity, the black mountain carries the love, respect and remembrance of descendants for their ancestors. These paper-crafted mountains embody the emotions of those left behind, reflecting the enduring bonds between family members and generations. Drawing inspiration from the paper-crafted Black Mountain found in Taiwanese funeral traditions, “Mine”brings traditional filial piety and contemporary family relationships into the language of the body, exploring how familial love takes different forms throughout the stages of life. Six performers, bring different generations together on stage. Through the blending of contrasting Yin and Yang bodily qualities, the work moves between innocence and maturity, softness and weight, attachment and separation, revealing the passage of life and the ever-changing relationships within a family. As we grow older, our parents gradually age alongside us. Love left unspoken, feelings of indebtedness that can never be fully repaid, and our thoughts on companionship and farewell are expressed through physical contact and movement, becoming a reflection on the bonds of family. One Black Mountain carries the memories of generations; six bodies journey through the coming and going of life. Through the body, “Mine” revisits the meaning of filial piety, searching for the meaning of love and family where Yin and Yang meet. ▍關於許程崴製作舞團 從舞蹈退後一步，由身體出發 成立於2015年夏天，由家中經營第二代殯葬產業的許程崴所創辦，兒時經常在墓園玩耍的記憶令他對於生命、死亡有著濃厚的好奇與興趣，透過創作不斷探索挖掘自身對於生命的看法、死亡的想像、人存在的意義，並以回歸身體本質為動作脈絡出發，身體純粹的張力與綿密的細膩，形成許程崴獨特剛柔並濟的舞蹈美學。 舞團近年活躍於國內外各式舞台與藝術節發表作品，期望以舞蹈與觀眾共同探索交流生命的實境與舞蹈的渲染力。 ▍製作團隊｜Creative Team 編舞｜許程崴 Choreography｜Hsu Chen Wei 舞者｜許程崴、李軍、李晴、王儷穎、邱敬純 Dancers｜Hsu Chen Wei, Li Jun, Li Qing, Wang Li Ying, Chiu Ching Chun 現場演奏家｜吳欣澤 Live Musician｜Wu Hsin Tse 燈光設計／技術統籌｜何定宗 Lighting Design / Technical Director｜Ho Ding Tsung 音樂設計／製作｜林奕碩 Music Designer｜Lin Yi Shuo 服裝設計／製作｜陳亦婷 Costume Designer｜Chen Yi Ting 舞團經理｜余庭語 Company Manager｜Yu Ting Yu ※注意事項： 1. 演出全程禁止拍照、錄影錄音，僅謝幕開放拍照、錄影。 2. 輪椅席：身心障礙人士及陪同者1名購票5折優待，入場時應出示身心障礙證明，陪同者與身障者需同時入場。 3.青年席位：請憑證件（身分證或健保卡）入場。 4. 遲到須依工作人員指示入場。