近乎不可能的夢幻組合—— 提琴雙女神攜手降臨國家音樂廳！ 大提琴家嘉碧妲以溫潤深邃的音色著稱，她的演奏如雕塑般條理清晰，在嚴謹結構中蘊藏細膩情感；小提琴家柯帕琴斯卡雅則以個性鮮明的詮釋聞名，她不拘形式、勇於顛覆，為舞臺注入難以預測的生命力。 她們風格迥異，卻因友誼建立絕佳默契。 當提琴對話，就能迸發繽紛的音樂風景！ 在拉威爾寫給小提琴與大提琴的奏鳴曲中，她們以純粹音色勾勒廣闊聲響，展現冷冽詩意；而在柯大宜的絃樂二重奏裡，則融匯民謠與近乎狂野的奔放能量，綻放熾熱張力。《每日電訊報》盛讚其「音樂思想交融得渾然天成！」本次她們首度連袂來臺，準備獻上直抵内心的深刻共鳴。 Renowned for her warm, richly resonant tone, cellist Sol Gabetta brings a sculptural clarity to her playing, shaping every phrase with precision while revealing layers of subtle emotion beneath the music's architecture. Violinist Patricia Kopatchinskaja, by contrast, is celebrated for her fiercely individual artistry—fearless, unconventional, and endlessly imaginative, she infuses the stage with an electrifying sense of spontaneity. Though strikingly different in musical outlook, the two artists share a deep friendship that has fostered an extraordinary musical rapport. When their instruments enter into dialogue, they create a kaleidoscope of sonic colors. In Ravel's Sonata for Violin and Cello, they reveal crystalline textures and refined poetry; in Kodály's Duo for Violin and Cello, folk-inspired melodies meet untamed passion and exhilarating intensity. The Telegraph praised their partnership as one in which "the meeting of musical minds seems total." Appearing together in Taiwan for the first time, Sol and Pat invite audiences to experience a performance that resonates far beyond virtuosity, speaking directly to the heart. 小提琴 Violin｜派翠西亞．柯帕琴斯卡雅 Patricia Kopatchinskaja 大提琴 Cello｜修兒．嘉碧妲 Sol Gabetta 演出曲目 Programme勒克萊爾：C大調〈鈴鼓〉 Jean-Marie Leclair: Tambourin in C major 魏德曼：〈巴伐利亞圓舞曲〉、〈英國觸技曲〉，選自24首小提琴與大提琴二重奏第二冊 Jörg Widmann: 24 Duos for Violin and Violoncello, Vol. 2: VIII Valse bavaroise, XI Toccatina all'inglese 巴赫：G大調前奏曲，作品860 Johann Sebastian Bach: Prelude in G major, BWV 860 柯爾：〈根莖〉 Francisco Coll: Rizoma 拉威爾：小提琴與大提琴奏鳴曲 Maurice Ravel: Sonata for Violin and Cello ——中場休息 intermission——巴赫：15首二聲部創意曲，作品772-786（節選） Johann Sebastian Bach: Fifteen Two-Part Inventions, BWV 772-786 (selection) 柯帕琴斯卡雅：奇想曲 PATKOP: Ghiribizzi 李蓋悌：〈向希爾丁．羅森堡致敬〉 György Ligeti: Hommage à Hilding Rosenberg 澤納基斯：〈雙重平衡〉，為小提琴與大提琴所作 Iannis Xenakis: Dhipli Zyia for Violin and Cello C.P.E.巴赫：C小調急板，作品114/3 Carl Philipp Emanuel Bach: Presto for Keyboard in C Minor, Wq 114/3 柯大宜：小提琴與大提琴二重奏，作品7 Zoltan Kodály: Duo for Violin and Cello, Op.7 音樂會演前導玲 講師：蔡永凱 時間：10.17 (SAT.) 19:00 - 19:20 地點：國家音樂廳大廳 持演出票券入場。 18:50 開放國家音樂廳一號門、四號門入場。 這兩位巨星將音樂化為生動的對話，充滿速度感、幽默、充滿樂趣且極具共鳴。——《衛報》 "These two star players turn music into conversation, fast, ironic, teasing and empathic."——The Guardian 兩位音樂家的風格看似不搭，但她們的組合，卻產生了如炸藥般驚人的音樂爆發力。——《BBC音樂雜誌》 "On paper this may look like an unlikely musical partnership [...] yet put them together and the result is musical dynamite."——BBC Music Magazine 這兩位老友的組合發揮出「一加一大於二」的效果，在演出中展現輕鬆自如的音樂默契。——《The Strad》弦樂雜誌 "Two old friends are even more than the sum of their parts... they're old chums... and it shows in their easy musical unanimity."——The Strad 她們共享的是強烈的音樂性、卓越的技巧，以及無論作品的性質或意涵為何，都要將每首曲子發揮到極致的絕對意志。——《OpusKlassiek》 "Wat ze met elkaar delen is intense muzikaliteit, superieure techniek en de absolute wil om het beste uit ieder stuk te halen, onverschillig aard of strekking."——OpusKlassiek 修兒．嘉碧妲 Sol Gabetta 機智、貴族般的從容與優雅；情緒、強度與輕重之間，如同奇蹟般達成近乎完美的平衡。——《格拉斯哥先驅報》 “Wit, aristocratic poise and elegance; mercurial shifts of mood, intensity and lightness of touch in near-miraculous balance”—— The Glasgow Herald 大提琴家修兒．嘉碧妲是國際音樂節爭相邀請的藝術家。她曾擔任琉森音樂節明星藝術家，與維也納愛樂及法蘭茲．威瑟-莫斯特，以及由瑪琳．艾索普指揮的倫敦愛樂管弦樂團合作演出。 她也持續透過自己創辦並擔任藝術總監的修兒斯堡音樂節（Solsberg Festival），與來自世界各地的音樂家交流激盪。室內樂始終是她藝術生涯的重要核心，合作夥伴包括小提琴家伊莎貝爾．佛斯特、鋼琴家貝特朗．夏瑪尤、克里斯蒂安．貝祖登豪特、亞歷山大．梅爾尼科夫與法蘭西斯科．皮蒙特西等人。她的演出足跡遍及紐約林肯中心、倫敦威格摩音樂廳、琉森、韋爾畢耶、薩爾茲堡、施韋青根、舒伯特音樂節及波昂貝多芬音樂節等世界重要音樂殿堂。 憑藉卓越藝術成就、前瞻視野與創造力，以及對歐洲文化的重要貢獻，嘉碧妲於2022年獲頒歐洲文化獎。2018年，她於薩爾茲堡復活節音樂節與德勒斯登國家管弦樂團及指揮提勒曼合作演出，並獲頒卡拉揚獎。2019年，她以舒曼大提琴協奏曲錄音榮獲首屆 OPUS Klassik 年度器樂家大獎。2007至2013年間，以及2016年，她多次獲得德國迴聲音樂獎肯定。其他榮譽包括2010年《留聲機》年度青年藝術家獎、2012年德國青年音樂協會沃特獎，以及柴可夫斯基大賽與慕尼黑 ARD 國際音樂大賽獎項。 嘉碧妲使用1730年威尼斯製琴師馬泰奧．戈夫里勒製作的大提琴演奏。自2005年以來，她也在瑞士巴塞爾音樂學院任教。 A sought-after guest at leading festivals, Sol Gabetta was Artiste étoile at Lucerne Festival where she appeared with Wiener Philharmoniker and Franz Welser-Möst, and London Philharmonic Orchestra directed by Marin Alsop. She continues drawing inspiration from a wide circle of collaborators and musical encounters at the Solsberg Festival, which flourishes under her committed artistic direction. Chamber music remains central to Gabetta's work. She appears regularly with Isabelle Faust, Bertrand Chamayou, Kristian Bezuidenhout, Alexander Melnikov, and Francesco Piemontesi. Her performances have led her to Lincoln Center, Wigmore Hall, Lucerne, Verbier, Salzburg, Schwetzingen, Schubertiade Schwarzenberg, and Beethovenfest Bonn. In recognition of her exceptional artistic achievements, vision, and creativity, which have made a significant contribution to Europe's cultural life, Sol Gabetta was honored with the European Culture Prize in 2022. She also received the Herbert von Karajan Prize at the Salzburg Easter Festival in 2018 where she appeared as soloist with Staatskapelle Dresden and Christian Thielemann. In 2019 she was awarded the first OPUS Klassik Award as Instrumentalist of the Year for her interpretation of Schumann's Cello Concerto. The ECHO Klassik award saluted her accomplishment biennially between 2007 and 2013, and in 2016. A Grammy Award nominee, she also received the Gramophone Young Artist of the Year Award in 2010 and the Würth-Preis of the Jeunesses Musicales in 2012 as well as commendations at Moscow's Tchaikovsky Competition and the ARD International Music Competition in Munich. Sol Gabetta performs on several Italian master instruments from the early 18th century, including a cello by Matteo Goffriller from 1730, Venice, provided to her by Atelier Cels Paris. She has been teaching at the Basel Music Academy since 2005. 派翠西亞．柯帕琴斯卡雅 Patricia Kopatchinskaja 柯帕琴斯卡雅證明了自己確實自成一格、獨樹一幟。——《泰晤士報》 “Kopatchinskaja proved here that she’s in a class of her own.”—— The Times 派翠西亞．柯帕琴斯卡雅的創作核心，在於直達音樂的本質，並思索音樂對「此時此地」的意義。她以深刻、耀眼且帶有幽默感的詮釋，為音樂注入獨特的戲劇性。《紐約時報》形容她為「擁有罕見表現能量與令人驚喜的不拘一格，充滿奇想與戲劇雄心的演奏者」，無論是重新詮釋小提琴經典曲目，或創作跨越音樂、戲劇與跨領域邊界的舞台計畫，她始終能精準傳達作品的本質。 柯帕琴斯卡雅是一位熱衷於實驗與合作的音樂家，並將當代音樂視為自身生命核心。她與多位當代作曲家——包括弗蘭西斯科．科爾、盧卡．弗朗切斯科尼、麥可．赫許、捷爾吉．庫塔格、艾薩-佩卡．沙隆年與奧雷利亞諾・卡塔內奧——建立深厚合作關係，並促成多部世界首演作品誕生。 她同時在歐洲與美洲各大場館策劃並指揮舞台式音樂會，與世界頂尖樂團、指揮與音樂節合作。作為一位兼具炫技、敘事能力與舞台想像力的音樂家，她目前持續擔任 SWR 交響樂團的藝術夥伴，並為其設計兼具傳統與創新形式的演出節目。其中包括舞台計畫《和平計畫》，透過巴洛克至當代作品的拼貼，回望戰爭造成的存在性創傷，並回應戰地報導、日常生活崩解與對生命與親人的持續恐懼。 她的錄音作品超過30張，其中包括與聖保羅室內樂團合作、榮獲葛萊美獎的《死與少女》，並曾改編為半舞臺影像作品。此外，她與修兒．嘉碧妲及卡梅拉塔．伯恩合作的《點燃歡愉》獲BBC音樂雜誌獎肯定；她與鋼琴家法佐．賽伊重啟合作錄音，並獲《留聲機》雜誌編輯精選。 Patricia Kopatchinskaja's focus is to get to the heart of the music, to its meaning for us — now and here. With a combination of depth, brilliance and humour, Kopatchinskaja brings an inimitable sense of theatrics to her music. Described by The New York Times ​"a player of rare expressive energy and disarming informality, of whimsy and theatrical ambition", Kopatchinskaja's distinctive approach always conveys the essence of a work, whether in a fresh interpretation of a violin repertoire classic or through one of her original staged projects that cross musical, theatrical, and interdisciplinary boundaries. A visionary who thrives on experimentation and collaboration, she describes contemporary music as her lifeblood. Her artistic partnerships with living composers such as Francisco Coll, Luca Francesconi, Michael Hersch, Márton Illés, György Kurtág, Esa-Pekka Salonen and Aureliano Cattaneo have resulted in numerous world premieres. Kopatchinskaja directs staged concerts at venues on both sides of the Atlantic and collaborates with leading orchestras, conductors, and festivals worldwide. A virtuoso, storyteller, and all-around phenomenon, Kopatchinskaja continues to serve as Artistic Partner of the SWR Symphony Orchestra, designing her own programmes in both established and innovative staged concert formats. Among these is the staged concert The Peace Project, which reflects on centuries of existential suffering caused by war through a kaleidoscope of baroque and modern works up to the present day. The project addresses the numerous reports from war zones, the violent disruption of daily life, and the constant fear for one’s life and loved ones. Kopatchinskaja's discography includes over 30 recordings, among them GRAMMY award-winning Death and the Maiden with Saint Paul Chamber Orchestra, a project which was also re-created as a semi-staged filmed performance with Camerata Bern. Recent CD releases season included Les Plaisirs Illuminés with Sol Gabetta and Camerata Bern, which was saluted with a BBC Music Magazine award and Le monde selon George Antheil with Joonas Ahonen (both on Alpha Classics).