「筆記#15」是藝術家黃楷馨的第15次個展。藝術家的許多作品，最初皆源自速寫簿（sketchbook）裡的「筆記」。對她而言，「筆記」不只是創作的起點，也是讓創作、展覽與生活持續共存的一種方式。因此，在沒有特殊情況下，藝術家選擇直接以「筆記」為個展名稱，並以編號延續。 「筆記#15」展出黃楷馨的油彩畫布以及當代水墨類作品。 藝術家暱稱此展為｛80x80｝，因為展出的畫布類作品大多為80號畫布。藝術家除了認得「畫作」本身之外，還有認畫布的習慣；80號的畫布，更適於抒發「生活感」。 油彩、複合媒材畫布是黃楷馨的主要創作媒材。她的抽象繪畫作品既保持了對形式純粹性的關注，也保留了意義生成的多元可能，形成開放的視覺境像。創作尋求的並非單一種解決之道，而是呈現出一種流動、非線性的存在狀態。作品中的視覺元素——無論是色彩、肌理或構圖——均作為美感覺知的載體，反映認知過程的複雜與多維，並構成獨特而開放的當代視覺經驗。藝術家將這種內在的空間「對境」具象化，以繪畫藝術呈現出內在思維的流動性、積極性與多元性。 藝術家的當代水墨類作品方面，本次展出「山的進化史 The Evolution of View #1–5」和「謙虛的蜜蜂 Humble Bee #1–6」系列。 「山的進化史 The Evolution of View #1–5」為五件一組的系列作品，借用那句老話：「見山是山，見山不是山，見山又是山」的觀看脈絡，在抽象與具象之間展開視覺變奏。 「Bumble Bee（熊蜂）」原是一首帶有幽默與暗諷意味的歌曲，來自瑞典阿卡貝拉（A cappella）音樂團體真實之聲（The Real Group），收錄於其2009年發行的專輯《The Real Album》。黃楷馨從高中時期便是真實之聲的樂迷，並以這首歌曲及多年後的人生經驗為靈感，創作「謙虛的蜜蜂 Humble Bee」系列作品，展出六件，結合當代水墨技法與油彩、壓克力、水彩等媒材創作而成。 這首歌曲透過「Bumble Bee（熊蜂）」與「Be Humble（要謙虛）」的諧音，以輕快幽默的方式提醒那些看似勤奮卻容易自滿的人們：即使忙碌，甚至能夠飛行，也別忘了謙遜。「看似不可能卻仍硬撐著飛行」，以及對外宣稱自己不能死的幽默設定，更突顯了歌曲對於過度自信與盲目忙碌的反思。 在數位化與快速消費的時代，無論是個體或群體都充滿流動性與不確定性。黃楷馨的繪畫創作作為一種慢媒介，提供了一個反思與沉浸的緩速空間，在確定與不確定之間保持動態平衡。在這種狀態中，藝術欣賞不再是對確定意義的尋找，而是對多元可能性的擁抱。受到學生時代空間操作訓練與思想研究的影響，黃楷馨不同於一般畫家傾向大量生產同型態、重複性的系列繪畫，而是將每一件作品都視為單件個體式的「個案研究」。因此，即使同屬一個系列，觀者仍能從中看見豐富而多樣的創作變化。 每一幅作品都在確定與不確定、具象與抽象之間找到自己的平衡點，也因此形成各自獨立而彼此連續的視覺經驗。 展期|2026.10.03（六）– 11.07（六） 地點|99° 藝術中心・S7美術館 LF 地址|112 台北市北投區承德路七段286號 開放時間|11:00–18:30（日、一、國定假日公休） --展覽活動-- 藝術家茶敘|10.03（六）15:00 展覽導覽（私人團體）|10.17（六）13:00 NOTE15 開幕|10.17（六）15:00 _______________________________________ "Note #15" is the 15th solo exhibition by artist Huang Kai-Hsin. Many of her works originally stem from the "notes" inside her sketchbooks. To her, "notes" are not merely the starting point of creation, but also a way for art, exhibition, and life to continually coexist. Therefore, barring special circumstances, the artist has chosen to directly use "Note" as the title for her solo exhibitions, continued by sequential numbering. "Note #15" features Huang Kai-Hsin's oil paintings on canvas alongside contemporary ink works. The artist affectionately nicknames this exhibition "{80x80}," as the majority of the exhibited canvas works are size 80 canvases. Beyond recognizing the "paintings" themselves, the artist has a habit of recognizing the canvases; size 80 canvases are particularly suited for expressing a "sense of daily life." Oil and mixed media on canvas serve as Huang Kai-Hsin's primary creative media. Her abstract paintings maintain a focus on formal purity while preserving multiple possibilities for meaning generation, forming an open visual landscape. The creation seeks not a single solution, but rather presents a fluid, non-linear state of existence. The visual elements within the works—whether color, texture, or composition—act as carriers of aesthetic perception, reflecting the complexity and multidimensionality of cognitive processes while constructing a unique and open contemporary visual experience. The artist materializes this internal spatial "dialogue," using the art of painting to present the fluidity, positivity, and diversity of internal thought. In terms of the artist's contemporary ink works, this exhibition features the series "The Evolution of View #1–5" and "Humble Bee #1–6." "The Evolution of View #1–5" is a five-piece set that borrows from the old proverb's viewing context—"Mountains are mountains, mountains are not mountains, mountains are once again mountains"—unfolding a visual variation between abstraction and figuration. "Bumble Bee" is originally a humorous and subtly satirical song by the Swedish a cappella group The Real Group, included in their 2009 album The Real Album. Huang Kai-Hsin has been a fan of The Real Group since high school, and taking this song and years of life experience as inspiration, she created the "Humble Bee" series. Comprising six pieces, the series combines contemporary ink techniques with media such as oil, acrylic, and watercolor. Through the homophonic play between "Bumble Bee" and "Be Humble," the song uses a lighthearted and humorous approach to remind those who appear industrious yet prone to complacency: even when busy, and even capable of flight, do not forget humility. The humorous premise of "struggling to fly despite seemingly impossible odds" and declaring oneself unable to die further highlights the song's reflection on overconfidence and blind busyness. In an era of digitization and rapid consumption, both individuals and groups are filled with fluidity and uncertainty. As a slow medium, Huang Kai-Hsin's painting practice provides a slow-paced space for reflection and immersion, maintaining a dynamic balance between certainty and uncertainty. In this state, art appreciation is no longer the search for fixed meanings, but rather an embrace of diverse possibilities. Influenced by spatial design training and ideological studies from her student days—unlike many painters who tend to mass-produce uniform, repetitive series—Huang treats each work as an individual "case study." Consequently, even within the same series, viewers can still perceive rich and diverse creative variations. Each painting finds its own equilibrium between certainty and uncertainty, figuration and abstraction, thereby forming independent yet mutually continuous visual experiences. DATES|2026.10.03（Sat.）– 11.07（Sat.） VENUE|99° ART CENTER・S7 MUSEUM LF ADDRESS|No. 286, Sec. 7, Chengde Rd., Beitou Dist., Taipei City 112, Taiwan OPENING HOURS|11:00–18:30 Closed on Sundays and Mondays EVENTS Tea with the Artist|10.03（Sat.）15:00 Private Guided Tour|10.17（Sat.）13:00 NOTE15 Opening Reception|10.17（Sat.）15:00