《未竟之形》Unfinished Forms 展期｜Exhibition Period 09/19（六）– 10/31（六） September 19 (Sat.) – October 31 (Sat.) 開幕茶會｜Opening Reception 09/19（六）16:00 September 19 (Sat.), 4:00 PM 藝術家｜Artist 游孟書、黃冠鈞、徐瑞謙、陳孟潔、楊宗嘉、彭思錡、賴晟浩、何宇森、陳肇彤、鄧筠璇、蔡亞克、許宸家 @mengshu_you 、 @hkc_tw , @hsu_jui_chien , @chen_mengchieh , @prinprin1 , @si_qi_peng , @chenghao_fff , @he_yu_sen_sculpture , @chen_chaotung , @tengtothecloud , @kecai.d , and @chenchia__00 ⸻ 策展論述｜Curatorial Statement 雕塑始終處於生成之中。 Sculpture is always in the process of becoming. 它不是被完成的物件，而是在材料、身體、時間與空間交會之下，持續變化的存在。當代雕塑早已超越傳統媒材與形式的定義，不再只是堅固、永恆的量體，而成為一種回應世界的方式：它可以柔軟、暫時、脆弱，也可以是一段關係、一個場域，甚至是一種觀看的方法。 It is not a completed object, but a form of existence that continues to transform through the encounter between material, body, time, and space. Contemporary sculpture has long moved beyond conventional definitions of medium and form. It is no longer confined to solid and permanent masses, but has become a way of responding to the world—one that can be soft, temporary, or fragile; a relationship, a site, or even a way of seeing. ⸻ 《未竟之形》集結十二位活躍於台灣當代藝術現場的雕塑創作者。從游孟書作為承接不同世代的重要創作者，到新一代藝術家們黃冠鈞、徐瑞謙、陳孟潔、楊宗嘉、彭思錡、賴晟浩、何宇森、陳肇彤、鄧筠璇、蔡亞克、許宸家對材料、身體、自然、生態、工業物件、空間感知與生命經驗的探索，每位藝術家都以不同的方法重新定義雕塑的可能性。 Unfinished Forms brings together twelve sculptors actively engaged in Taiwan’s contemporary art scene. From @mengshu_you , an important artist whose practice connects different generations, to a younger generation of artists— @hkc_tw , @hsu_jui_chien , @chen_mengchieh , @prinprin1 , @si_qi_peng , @chenghao_fff , @he_yu_sen_sculpture , @chen_chaotung , @tengtothecloud , @kecai.d , and @chenchia__00 —each explores sculpture through different approaches to material, the body, nature, ecology, industrial objects, spatial perception, and lived experience, continually redefining what sculpture can be. ⸻ 展覽並非試圖描繪台灣雕塑的完整樣貌，而是呈現一個仍在持續生成中的截面。每件作品都是一種尚未終止的提問，每一次觀看也都重新塑造作品的意義。 Rather than attempting to present a comprehensive portrait of sculpture in Taiwan, the exhibition offers a cross-section of a field that remains in continuous formation. Each work becomes an open-ended question that has yet to reach its conclusion, while every act of viewing reshapes the meaning of the work anew. ⸻ 未竟，並非缺席，而是一種保持開放的狀態；形體因此得以持續生長，雕塑也因此不斷成為新的自己。 To remain unfinished is not to be absent, but to remain open. Through this openness, form continues to grow, and sculpture continues to become something new.