尼采曾言，音樂的使命在於「引導我們的思想走向更高的境界，使我們提升。」2026 衛武營國際音樂節閉幕演出，在藝術總監簡文彬指揮下，高雄市交響樂團與德國女高音穆勒將展開一場關於生命超脫、靈性與信仰的心靈之旅。與溫潤明亮的管絃樂相映，穆勒以被譽為「宛若自水晶切割而成」的歌喉，將觀眾心靈引向更為高遠的境界。 梅湘《被遺忘的奉獻》由「十字架」的弦樂哀歌起筆，經過墜向深淵的「罪」，再至「聖體」靜謐流光，描繪宗教冥想；理查・史特勞斯《最後四首歌》為作曲家晚年的絕美告別，流露對生命的眷戀與釋然；布魯克納第六號交響曲則以宏偉主題與深刻情感，展現莊嚴與哲思。從生命沉思到德奧晚期浪漫抒情，為音樂節劃下發人深省的華麗終章。 NIETZSCHE said music's task is "to lead our thoughts to higher things, to elevate." In the grand finale of the 2026 Weiwuying International Music Festival, German soprano Hanna-Elisabeth MÜLLER—praised for a voice "as if cut from crystal" — joins maestro CHIEN Wen-pin and the Kaohsiung Symphony Orchestra in a thoughtful ascendant journey of life, spirituality, and devotion. MESSIAEN's Les Offrandes Oubliées moves from the lament of  "The Cross" and the plunge into "Sin"  to the glowing peace of  "The Eucharist." R. STRAUSS' s Four Last Songs offers a tender farewell to life, while BRUCKNER's Symphony No. 6 unites grand architecture with deep emotion and philosophical reflection. From spiritual meditation to Late Romantic splendor, this reflective evening crowns the festival in brilliance. 演出人員名單 指揮：簡文彬／女高音：漢娜—伊莉莎白．穆勒／高雄市交響樂團 Conductor: CHIEN Wen-pin / Soprano: Hanna-Elisabeth MÜLLER / Kaohsiung Symphony Orchestra 曲目Program 梅湘：《被遺忘的奉獻》 O. MESSIAEN: Les Offrandes Oubliées 理查．史特勞斯：《最後四首歌》 R. STRAUSS: Vier letzte Lieder 布魯克納：A大調第六號交響曲，WAB106 A. BRUCKNER: Symphony No. 6 in A Major, WAB 106 藝術家介紹 指揮｜簡文彬 衛武營國家藝術文化中心藝術總監。簡文彬1967年生，國立藝專（今國立臺灣藝術大學）鍵盤組畢業，維也納音樂暨表演藝術大學指揮碩士學位。 1996年起擔任德國萊茵歌劇院駐院指揮長達22年；1998至2004年為日本太平洋音樂節駐節指揮；2001至2007年為國家交響樂團（NSO）音樂總監，在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉，並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲；2014至2016年擔任國立臺灣交響樂團藝術顧問，並於2014年9月獲頒第18屆國家文藝獎。 女高音｜漢娜—伊莉莎白．穆勒 被《薩爾茨堡新聞報》喻為擁有「如水晶般的純淨嗓音」，漢娜—伊莉莎白．穆勒堪稱是當今藝術歌曲與音樂會曲目最重要的詮釋者，也是全球最炙手可熱的歌劇聲樂家之一。 她在2014年憑藉由提勒曼擔任指揮的史特勞斯《阿拉貝拉》茲登卡一角，在薩爾茨堡復活節音樂節上嶄露頭角，與女高音弗萊明及男中音漢普森同台，並以此角獲《歌劇世界》雜誌評選為「年度青年藝術家」。這齣製作後來由聯合古典唱片與C Major製作公司共同發行 DVD。 穆勒經常受邀於世界頂尖歌劇院與音樂節演出，包括巴伐利亞國立歌劇院、維也納國家歌劇院、大都會歌劇院、德勒斯登森柏歌劇院、米蘭史卡拉歌劇院、柯芬園倫敦皇家歌劇院、蘇黎世歌劇院及薩爾茲堡音樂節等。 2025/26樂季，穆勒將擔綱三部全新大型製作的主角。她將隨維也納國家歌劇院赴日巡演，在東京文化會館演出由畢利指揮，柯斯基執導的知名製作的《費加洛婚禮》，演出伯爵夫人一角。隨後也將以相同角色參與由馬內柯達指揮、瓊斯執導的全新製作，首次登台巴黎國家歌劇院。另外，她將重返維也納國家歌劇院，於赫拉斯－卡薩多指揮、勞沃斯執導的《狄托的仁慈》全新製作中飾演維泰莉亞一角。 高雄市交響樂團 樂在，你也在。 ——年輕的樂團 堅定向前行 1981年成立，2009年與高雄市國樂團基金會整併為「財團法人高雄市愛樂文化藝術基金會」，由時任文化局長史哲出任首屆董事長。現任董事長為高雄市文化局長王文翠，執行長朱宏昌，駐團指揮吳曜宇。成立迄今，樂團以高雄代表自許，不斷的與國際級指揮與名家大師們合作共鳴，勇於嘗試多元型態的演出，為樂迷創造更多優質的音樂饗宴。 2009年起，樂團擔任高雄春天藝術節重要演出角色，成功打響「草地音樂會」及全本歌劇製作品牌；近年持續受邀參與衛武營國家藝術文化中心自製節目，精湛演出受國內樂壇及樂迷一致肯定。在國際舞台上，樂團足跡遍及美國、日本、新加坡、中國及香港等多個城市；逐步跨越城市與國界，以國際級樂團為自我提升與成長目標，堅定向前。 Conductor｜CHIEN Wen-pin CHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and received a Master's degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Düsseldorf/Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. From 1998 to 2004, he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan). From 2001 to 2007, he was Music Director of National Symphony Orchestra (Taiwan Philharmonic); during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete Der Ring des Nibelungen by Richard WAGNER in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. From 2014 to 2016, CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was the winner of the "National Award for Arts" in 2014. Soprano｜Hanna-Elisabeth MÜLLER Hanna-Elisabeth MÜLLER, possessing "a voice as if cut from crystal" by Salzburger Nachrichten, is considered in equal measure to be one of today's foremost interpreters of Lied and concert repertoire, and one of the most sought-after operatic artists. MÜLLER had her international breakthrough at the 2014 Salzburg Easter Festival as Zdenka in Richard STRAUSS' Arabella, co-starring with Renèe FLEMING and Thomas HAMPSON under the baton of Christian THIELEMANN. For this role, she was voted "Young Artist of the Year"  by Opernwelt magazine. MÜLLER is a frequent guest of the world's leading opera houses and festivals, including the Bayerische Staatsoper, the Vienna Staatsoper, the Metropolitan Opera, Dresden's Semperoper, Teatro alla Scala, Royal Opera House Covent Garden, Opernhaus Zurich, and the Salzburg Festival, among others. In the 2025/26 season, MÜLLER takes on three major new productions at leading houses. She tours Japan with the Vienna State Opera, appearing at Tokyo Bunka Kaikan as the Contessa in Le nozze di Figaro, conducted by Bertrand de BILLY in Barrie KOSKY's acclaimed staging. In the same role, she makes her company debut with the Paris Opera under Antonello MANACORDA in a new production by Netia JONES. She returns to the Vienna State Opera as Vitellia in a new production of La clemenza di Tito, conducted by Pablo HERAS-CASADO and directed by Jan LAUWERS. Kaohsiung Symphony Orchestra (KSO) Wherever there is music, there is you. - A young orchestra which advances with determination It is an asset for a city to have an orchestra of its own. Young and energetic, the Kaohsiung Symphony Orchestra (KSO) invites world-class conductors and masters for collaboration, and challenges itself by staging performances of diversified styles. The development of the orchestra focuses on both classical and crossover genres; it has not only created increasingly more high quality musical miscellanies for music enthusiasts but also planted numerous seeds for music appreciation and performance, contributing to the innovation of classical music. The Kaohsiung Symphony Orchestra was founded in 1981. It was merged with the Kaohsiung Chinese Orchestra in 2009 as Kaohsiung Philharmonic Culture and Arts Foundation. Since 2009, the KSO has made considerable contribution in the Kaohsiung Spring Arts Festival, successfully promoting its grassland concerts. In the last decade, the KSO has collaborated with renowned local and international artists and music groups and staged numerous concert series. The end of 2018 marked the grand opening of the National Kaohsiung Center for the Arts (Weiwuying), where the KSO participated in the centers inauguration. KSO wishes to continue playing an important role in the centers concert hall. The KSO has been invited to perform on international stages regularly. Reaching beyond city and country borders, the KSO advances steadily with the self-development goal of becoming an internationally acclaimed orchestra.