「探戈，是兩個世界的相遇。」- 策展人耿一偉 AI與人，探戈與當代舞的虛實擁抱。 跨域編舞家與表演者：吳依凡與王鎮倫合作，透過「擁抱被數位化」的概念，探討人與情感、關係之間的轉變，發展為舞蹈劇場作品。 AI×探戈×當代舞：身體語言的再定義。 《探戈：擁抱之間》以探戈的擁抱為起點，結合AI問答數據與動作互動模擬，生成新的身體語彙。探戈象徵人類深層情感交流，強調引導與回應的關係，而AI則成為當代的他者。 作品使AI從被動系統轉為舞伴，在虛實交錯中，舞蹈由情感表達轉向智能對話，重塑身體與表演的邊界。 "Tango is the encounter of two worlds." — Curator KENG Yi-wei An embrace between the virtual and the real: AI and human, tango and contemporary dance. Interdisciplinary choreographers and performers WU I-fan and WANG Chen-lun collaborate to explore how "the digitization of the embrace" reshapes human emotions and relationships, developing this inquiry into a dance theater work. AI × Tango × Contemporary Dance: Redefining the Language of the Body. Neural Tango: In Between Embraces begins with the embrace of tango, integrating AI-generated dialogue data and movement-interaction simulations to create a new physical vocabulary. Tango represents deep human emotional exchange, grounded in the dynamics of leading and responding, while AI emerges as the contemporary "other." In this work, AI transforms from a passive system into a dance partner. Within the interplay of virtual and real, dance shifts from emotional expression toward intelligent dialogue, redefining the boundaries of body and performance. 曲目 Program. 〈極致布利諾艾利斯港口人〉 〈假面舞會〉 〈舞者〉 〈布宜諾斯艾利斯的瑪麗亞－祈喚〉 〈魔鬼的浪漫曲〉 〈探戈〉 〈鯊魚〉 〈魔鬼探戈〉 〈手風琴的嘆息〉 〈一步之遙〉 Porteñísimo La Cumparsita Danzarín María de Buenos Aires – Alevare Romance del Diablo El Tango Escualo Tango del Diablo Quejas de Bandoneón Por una Cabeza 演出暨製作團隊 編舞｜吳依凡、王鎮倫 舞作共構｜柯宛均、李杭澄、劉明軒、羅立安 舞者｜吳依凡、王鎮倫、柯宛均、李杭澄、劉明軒、羅立安 吳詠隆四重奏樂團 手風琴｜吳詠隆 小提琴｜李昀潔 鋼琴｜張絜宇 低音大提琴｜鄭小妍 Choreography｜WU I-fan, WANG Chen-lun Co-creation｜KO Wan-chun, LI Hang-cheng , LIU Ming-hsuan, LOU Li-an Dancers｜WU I-fan, WANG Chen-lun, KO Wan-chun, LI Hang-cheng , LIU Ming-hsuan, LOU Li-an WU Yong-lung Tango Quartet Bandoneon｜WU Yong-lung Violin｜LI Yun-chieh Piano｜CHANG Chieh-yu Double Bass｜CHENG Hsiao-yen 團隊介紹 格桑製作／藝術總監｜吳依凡 視覺藝術家、跨域創作者、阿根廷探戈老師。畢業於國立臺北藝術大學美術創作碩士，2008年開始學習阿根廷探戈，舞齡18年、教學14年。曾赴阿根廷進修多年，並以探戈為核心持續發展跨域創作。2020年成立「格桑製作」，以舞蹈劇場形式連結身體、影像與社會議題。作品《遺物計劃》入選2023艋舺國際舞蹈節國際交流單元與視覺藝術聯盟評審團獎，2025年《遺物計劃－阿嬤的衣服／共創版》獲大師小劇節評審團五星評價。曾任臺灣舞蹈生態行動協會理事，並受邀於東京、首爾、河內與阿根廷等地演出。2023、2025年與王鎮倫搭檔於Korea Tango Championships「Tango Free Style & Fantasia」獲第二名。以探戈為思想與身體的媒介，探索人、情感與科技之間的共感關係。 自 2020 年起，王鎮倫與吳依凡搭檔發展阿根廷探戈，將當代舞的身體邏輯帶入雙人共舞之中，於 2023、2025 年 Korea Tango Championship「Tango Free Style & Fantasia」獲得第二名。她的舞蹈結合清楚的身體結構與敏銳的即時反應，在探戈的擁抱中展現身體的自由與變化，也回應《探戈：擁抱之間》關注人與感覺之間的關係。 Gesang Dance Theater / Artistic Director｜WU I-fan WU I-fan is a visual artist, interdisciplinary creator, and Argentine tango teacher. She holds an MFA in Fine Arts from Taipei National University of the Arts. Since beginning her tango journey in 2008, she has accumulated 18 years of dance experience and 14 years of teaching. She has studied extensively in Argentina and continues to develop cross-disciplinary works rooted in tango. In 2020, she founded Gesang Dance Theater, creating dance theater works that connect body, image, and social discourse. Her work Relic Project was selected for the International Exchange Program of the 2023 Wantou International Dance Festival and received the Jury Prize from the Visual Arts Alliance. In 2025, Relic Project – Grandma’s Clothes (Co-creation Version) was awarded a five-star jury recognition at the Masterpiece Small Theater Festival. Wu has performed internationally in Tokyo, Seoul, Hanoi, and Argentina, and previously served as a board member of the Taiwan Dance Ecology Action Association. Together with WANG Chen-lun, she won 2nd Prize in the Tango Free Style & Fantasia categories at the Korea Tango Championships in 2023 and 2025. Using tango as both a conceptual and physical medium, her work explores the empathetic relationships between humans, emotions, and technology.