「純粹的聲音，會有消逝的一天嗎？」 在多重媒材快速疊加於音樂演出的當代，箏樂演奏家吳妍萱以這場創作實驗，回到演奏者自身，重新提問音樂演出能如何回到最根本的──聲音本身。透過〈聲音的皮膚〉、〈音的影子〉、〈聽覺的骨頭〉三個段落，重新探問/定義——身為當今世代音樂家的自我定位。本作品以「減法」作為創作起點，從細微摩擦與震動、聲音的生成與消逝，到身體深處的感知動力，帶領觀眾進入聲音的內部，重新感受「聽覺」所帶來的聆聽經驗。 At a time when musical performances are increasingly shaped by multiple elements, Guzheng player, Yen-Hsuan Wu, turns the focus back to the most fundamental element of music: sound itself. This work presents three sections, The Skin of Sound, The Shadow of Tone, and The Bones of Hearing, which take “subtraction” as its creative point of departure. From moving through subtle friction and vibration, the formation and disappearance of sound, and sensory memories embedded in the body, this work guides audiences to experience an embodied way of listening attentively. 吳妍萱 YEN HSUAN WU 臺灣當代箏樂演奏家。 中央音樂學院民樂系藝術碩士、學士。以獨奏家身份活耀於獨奏、重奏、室內樂、即興、劇場及跨領域等國內外舞台，演奏風格揉合傳統音韻與當代思維。 中央社CNA曾讚譽其「指尖下流淌出淬煉後的堅毅。」 另外，以傳統器樂演奏者身份出發創作電子音樂，其創作關注個人的私密情感，聚焦文化衝突的美學，著迷於器樂與電子間「不穩定」、「晃動」的音色質地，嘗試將兩者相結合，創作另類且有機的音樂型態。 師從中央音樂學院博士生導師、著名古箏演奏家周望教授。台灣首位周望教授嫡傳學生。演出足跡遍及臺灣、德國、新加坡、波蘭、日本、中國、香港、韓國、馬來西亞等地。曾受邀於KNM CONTEMPORARIES - celebrities II、TWMF世界音樂節、韓國全州國際音樂藝術節Sori Festival、CRIPPLED SYMMETRIES Festiva、臺北藝術節、Clab聲響藝術節、Krakowska Jesień Jazzowa、2025 Singapore Saxophone Symposium、再壹波藝術節、ISCM臺北國際現代音樂節、蘭城國際音樂節、Sound Bridge 音橋藝術節、臺北藝穗節、LSF失聲祭等國內外音樂節。 現今為音樂藝術工作者、立方重奏CUBE BAND古箏演奏家以及藝術計畫Hidden Routine發起人之一。 “The perseverance after refining flows from the fingertips.” — Central News Agency Yen Hsuan comes from Taoyuan, Taiwan. She is a Guzheng player, artist and creator. She plays traditional, contemporary, experimental, electronic music and improvisation. She achieved a Master of Traditional Chinese Music at the Central Conservatory of Music in Beijing in June 2017. For now, she is a member of contemporary music trio “CUBE BAND” and one of the initiators of pop-up project “Hidden Routine”. Yen Hsuan is highly active in various performance domains as a soloist, chamber musician, theatre and cross-domain stages. Her performance style is not only novel and stable, but delicate and sincere. Her music is full of enthusiasm and imagery. She is always aimed at innovating the perspective on interpretation and techniques of music, and also retain the traditional rhyme of Guzheng music simultaneously. On the other hand, Yen Hsuan also has been creating electronic music. She tries to relate traditional music to electronic music through the similarities, especially unsteady vibration of timbre in wooden instrument (Guzheng) and analog signal. Due to the feature, unsteady vibration of timbre, she was inspired by this kind of alternative aesthetics which influenced her music. Her creations not only focus on private emotion in community but also the aesthetic value of Eastern. Yen Hsuan would like to connect the world and people with the new sound by combining traditional music and electronic music. In recent years, she has appeared some different festivals and projects which include CRIPPLED SYMMETRIES Festival, Jeonju Int’l Sori Festival, KNM CONTEMPORARIES - celebrities II, Taipei Art Festival, Krakowska Jesień Jazzowa, Taiwan Contemporary Culture Lab WANDERING Festival, Taipei International New Music Festival, World Music Festival Taiwan, Lacking Sound Festival, One More Festival and “Taipei, a Sound Magazine” with Ensemble KNM Berlin. Youtube 個人網站: https://www.youtube.com/@yenhsuan_guzheng Soundclound 個人音樂網站: https://soundcloud.com/yipingmusic facebook 活動頁： https://redefine.pse.is/guzhengactivity instagram 專頁：https://redefine.pse.is/guzhenginstagram 𒈞 製作人員名單 𒈞 主創/藝術家/聲音設計｜吳妍萱 製作統籌｜陳暄雅 燈光設計｜曹芯慈 音響工程師｜小野寺佳史 Yoshinori Onodera 舞台監督｜林德佳 肢體設計｜張可揚 行銷宣傳｜楊欣盈 平面設計｜魏芷榆 妝髮｜周乃湞 主視覺拍攝｜蕭希如 影像製作｜小島光影 宣傳片場地｜藝響空間 林森59 影像紀錄｜小島光影 劇照攝影｜楊詠裕 補助單位｜文化部