▍展覽消息｜比利時｜常陵 個展「假如故鄉 If My Homeland」 異雲書屋很高興能與您分享，藝術家 常陵 即將於 比利時 ODRADEK Residence XL個展。 本次展覽名為「假如故鄉」，其中，常陵並未將「故鄉」理解為一個固定的地點，也不是純屬私人的情感投射，而是將其視為一種持續受到記憶、影像、技術、集體意識等資訊反覆生成又傳播的過程中，被不斷改寫的感知經驗。 他進一步以「既視感」與「預言」兩個概念，對應當代技術如何同時介入我們對過去的回憶與對未來的想像：一方面使記憶顯得熟悉卻未必可靠，另一方面也使未來逐漸帶有被預設的痕跡。 「假如故鄉」所欲呈現的，並不只是鄉愁的轉變，而是當代人如何在演算法與影像生成機制日益深刻的影響中，重新辨認自身經驗的真實性。 The exhibition is titled If My Homeland. Here, Chang Ling does not treat “homeland” as a fixed place, nor as a purely personal emotional projection. Instead, he sees it as a perceptual experience that is constantly rewritten through the repeated production and circulation of memory, images, technology, collective consciousness, and other forms of information. ‍ He further introduces the two ideas of déjà vu and prophecy to show how the technologies of our time shape both how we remember the past and how we imagine the future: memory begins to feel familiar yet uncertain, while the future starts to appear as if it has already been written in advance. ‍ What If My Homeland wants to express is not simply a change in the meaning of nostalgia, but how people living in this era, under the growing influence of algorithms and AI image generation, are pushed to ask again whether their own experiences are still real. /// 創作自述｜常陵 Artist Statement｜Chang Ling 提褲管，渡泥潭，假如故鄉。 從「肉都市」、「大玄玄社會」到「假如故鄉」。 「故鄉之抽象，是在意識裡持續變形的一個地理坐標，它吸收著情感，隨著時間被資訊與影像不斷餵養之後，這樣的故鄉雖由我創造但又不屬於我，它屬於集體記憶塑形扭曲而成的幻象。」 我們談起集體意識的每一次回望，在腦海裡常以既視感浮現，「我」的作品裡從都市敘事到社會切片的種種表情，似曾相識又帶著相當疑惑的場景，以為是自己托在心上的故鄉獨特而私密，實則這些經驗正被別人的影像、數據與敘事模式影響著，新時代來臨的轉戾點有著人工智慧參與圖像記憶的再造，歷史的篩選與編寫，這種群體思維上的漸次融合是否是一種邁向「被動無我」的過程？ 幻覺生成了既視感與預言，蠱惑意識流向這座不存在的「故鄉」，讓我彷彿置身於一種雙重幻象之中，沈溺在五里霧裡，「假如故鄉」將之前「五花肉系列」、「大玄玄社會」的虛幻更聚焦在意識無主權的「幻象沉溺」裡探討，過度的時代裡，虛化的意識是否還能能夠看見我們曾經鮮活的痕跡，假如故鄉是假的，為什麼我們依然愛它… Pull up your pant legs. Cross the muddy ground. If my homeland. From Flesh City to The Illusion Society, and now to If My Homeland. Homeland, in its abstraction, is a shifting coordinate within consciousness. It absorbs emotion, and over time it is continuously fed by images and information. Although it is something I create, it no longer belongs to me alone. It becomes an illusion, shaped and distorted by collective memory. Each time collective consciousness looks back, it often appears in the form of déjà vu. In my work, from urban narratives to fragments of social life, the scenes may feel familiar, yet they are charged with uncertainty. What seems private and intimate, as if it were the homeland each of us carries deep inside, is in fact constantly being shaped by other people’s images, data, and narrative structures. At this turning point in a new era, artificial intelligence has begun to take part in the remaking of visual memory, in the filtering of history, and in the writing of what is remembered. I keep asking whether this gradual merging of collective thought is leading us toward a state of passive selflessness, where consciousness slowly loses its own agency. Illusion gives rise to both déjà vu and prophecy. It draws awareness toward a “homeland” that does not exist, placing me inside a double illusion, submerged in uncertainty. In If My Homeland, I bring the unreality explored in The Pork Belly Series and The Illusion Society into a more focused reflection on immersion in images, on a consciousness that no longer holds full sovereignty over itself. In an age of excess, when consciousness is increasingly blurred and thinned out, can we still recognize traces of what was once vividly alive? If homeland is an illusion, why do we still love it? ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ 假如故鄉 If My Homeland —— 常陵 個展 Chang Ling solo exhibition Venue｜ODRADEK Residence XL 52 rue Paul Emile Janson 1050 Bruxelles Phase｜2026. 4. 16 - 5. 15 Hours｜週五-週六 14:00-18:00，其他時段須預約 Opening｜2026. 4. 16 (Thu.)｜18:00 Learn more｜https://www.yiyun-art.com/exhibition/2026-05 ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ ❰ 收藏洽詢｜Inquiries ❱ Tel｜青田館・02 2395 9292 Email｜[email protected] More Info｜https://linktr.ee/yiyunart